Encountering the Past

In a chapter of Cynthia Freedland’s book, Portraits & Persons, the philosopher proposes that portraits are images of persons that fulfil one or more of the following features: Likenesses Psychological characterisations Proofs of presence or ‘contact’ Manifestations of a person’s ‘essence’ or ‘air’ Such criteria may seem obvious but, in practice, they are particularly difficult…

Pre-Raphaelites on Paper: Victorian Drawings from the Lanigan Collection – Leighton House Museum

This article was first published (without images) in The Courtauldian. Leighton House Museum’s latest exhibition is a commemoration of a promised gift to the National Gallery of Canada, Ottawa, from one of the most significant private collections in North America. The group of eighty drawings was collected by Dr Dennis T. Lanigan, an oral and maxillofacial surgeon whose fascination…

‘England’s Michelangelo’ comes to Canterbury!

To coincide with the Studio 3 Gallery’s Alfred Drury exhibition, the Beaney Art Museum in Canterbury – also a finalist for the Art Fund Museum of the Year award in 2013 – has set up a small exhibition on yet another Alfred: that of Alfred Stevens. Dubbed ‘England’s Michelangelo’ this one room display features the…

Michael Landy – where creation meets destruction, where the old meets the new

Recently, the National Gallery has become a little bit more…noisy. Queues of people are lining up in the Central Hall surrounded by 16th century Northern Italian paintings, while others exit into the Spanish room where Velázquez’s ‘Rokeby Venus’ (1646-51) resides. Something’s happening in the Sunley Room, and this time, Michael Landy takes centre stage.