For the next few months, there is a sweet little opportunity to sample the British Museum’s collection of drawings by Raphael and his workshop, including Giulio Romano, Giovanni Francesco Penni, Giovanni da Udine, Perino del Vaga, and Polidoro da Caravaggio. On the Raphael side, a thematic highlight of this display is their collection of hisContinue reading “THE BIG REVIEW | Raphael and his School: Drawing Connections – British Museum, London”
The Art of Experiment is a beautiful little show devoted to The Courtauld’s small but significant holdings of works by Parmigianino. Comprising 24 autograph sheets of drawings, about half are on display to represent the artist’s extraordinary frescoes, altarpieces, and prints. It’s quite humbling to see here some studies for the artist’s most famous paintings,Continue reading “REVIEW | The Art of Experiment: Parmigianino at The Courtauld – The Courtauld Gallery, London”
In a chapter of Cynthia Freedland’s book, Portraits & Persons, the philosopher proposes that portraits are images of persons that fulfil one or more of the following features: Likenesses Psychological characterisations Proofs of presence or ‘contact’ Manifestations of a person’s ‘essence’ or ‘air’ Such criteria may seem obvious but, in practice, they are particularly difficultContinue reading “Encountering the Past”
This article was first published (without images) in The Courtauldian. Leighton House Museum’s latest exhibition is a commemoration of a promised gift to the National Gallery of Canada, Ottawa, from one of the most significant private collections in North America. The group of eighty drawings was collected by Dr Dennis T. Lanigan, an oral and maxillofacial surgeon whose fascinationContinue reading “REVIEW | Connect Art Fair 2019Pre-Raphaelites on Paper: Victorian Drawings from the Lanigan Collection – Leighton House Museum”
To coincide with the Studio 3 Gallery’s Alfred Drury exhibition, the Beaney Art Museum in Canterbury – also a finalist for the Art Fund Museum of the Year award in 2013 – has set up a small exhibition on yet another Alfred: that of Alfred Stevens. Dubbed ‘England’s Michelangelo’ this one room display features theContinue reading “‘England’s Michelangelo’ comes to Canterbury!”
Recently, the National Gallery has become a little bit more…noisy. Queues of people are lining up in the Central Hall surrounded by 16th century Northern Italian paintings, while others exit into the Spanish room where Velázquez’s ‘Rokeby Venus’ (1646-51) resides. Something’s happening in the Sunley Room, and this time, Michael Landy takes centre stage.