Tate Modern
Dora Maurer

Tate Modern
Bruce Nauman

‘Ultimately, the exhibition shows that Artemisia Gentileschi was no mere legend. Through passion and hard work, she devoted her life to building her reputation as a noteworthy artist. She wasn’t satisfied until she could be the best of the best, constantly vying for patronage from the most prominent members of society.’
Review – Artemisia
National Gallery
Artemisia

National Gallery
Titian: Love, Desire, Death

Hayward Gallery
Among the Trees

National Gallery
Nicolaes Maes: Dutch Master of the Golden Age

Tate Modern
Dora Maar

Royal Academy of Arts
Picasso and Paper

‘I think one’s ability to clearly differentiate the individual hairs on Adam’s legs is testament enough to the unprecedented opportunity to view the exterior panels of the Ghent Altarpiece as Hubert and Jan van Eyck once did.’
Review – Van Eyck: An Optical Revolution
MSK Gent
Van Eyck: An Optical Revolution

Queen’s House, Greenwich
Faces of a Queen: The Armada Portraits of Elizabeth I

British Museum
Troy: Myth and Reality

‘In a culture superficially obsessed with youthful appearances, Freud’s portraits of himself and others celebrate the aging body. His unforgiving, unflattering approach to his sitters compliments an appreciation for wrinkles, stretch marks, and bruises.’
Review – Lucian Freud: The Self-Portraits
Royal Academy of Arts
Lucian Freud: The Self-Portraits

