Nigel Ip

‘Even though 60 years has passed, you feel like you’re part of the crew, travelling with them as they performed at the London Palladium and The Ed Sullivan Show.’

Review – Paul McCartney, Photographs 1963-64: Eyes of the Storm

‘[…] an exhibition that blew every expectation I imagined out of the water, expanding our preconceptions about how Francis’ saintliness was interpreted over the years…’

Review – Saint Francis of Assisi

‘This ambitious gathering of 28 paintings from the elusive artist’s 37 known works is triumphant yet humble.’

Review – Vermeer

‘This is a collection that prides itself on collecting works that speak for themselves and so, with a simple layout, each artist gets their own room/section, negating our competitive obsession to search for the ‘better’ artist.’

Review – Rembrandt and his Contemporaries: History Paintings from the Leiden Collection

‘In addition to seeing Van Gogh’s birth certificate, drawings, paintings, and other archival materials, one gains a sense of Vincent’s inspiration from prints, Theo’s growing art collection, and the selfless philanthropy of the family.’

Review – Choosing Vincent: Portrait of a Family History

‘[…] the exhibition guides us through a life cycle of his works, with a seminal section devoted to the design and production techniques of works in different media, highlighting Donatello’s early training as a goldsmith and then in the workshop of Lorenzo Ghiberti.’

Review – Donatello: Sculpting the Renaissance

‘they [Stanmore Hall tapestries] are the Sistine Chapel tapestries of the Victorian era, the culmination of everything that Pre-Raphaelite art sought to achieve, like Sir Galahad kneeling before the Holy Grail and its guardians.’

Review – The Legend of King Arthur: A Pre-Raphaelite Love Story