Flâneur of the Arts
Nigel Ip
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Exhibitions
Canterbury
Beaney House of Art and Knowledge
Lilford Gallery
Sidney Cooper Gallery
Studio 3 Gallery
London
A-M
British Museum
GRAD: Gallery for Russian Arts and Design
Griffin Gallery
Hayward Gallery
Leighton House Museum
Mall Galleries
N-Z
National Gallery
National Maritime Museum
National Portrait Gallery
The Queen’s Gallery
Royal Academy of Arts
Serpentine Galleries
Somerset House
Tate Britain
Tate Modern
Thomas Dane Gallery
Victoria & Albert Museum
Wellcome Collection
White Cube
Manchester
The Whitworth
Margate
Turner Contemporary
Oxford
Ashmolean Museum
Paris
Grand Palais
Musée du Louvre
Musée Rodin
Venice
La Biennale di Venezia
Palazzo Ducale
3-2-C (Three to See)
3-2-C: The National Gallery, London
3-2-C: The British Museum, London
3-2-C: Tate Modern, London
3-2-C: The Wallace Collection, London
3-2-C: Victoria and Albert Museum, London
Museum Bookstore
Raphael: The Drawings
The Encounter: Drawings from Leonardo to Rembrandt
Reflections: Van Eyck and the Pre-Raphaelites
Michelangelo: Divine Draftsman & Designer
Andrea del Sarto: The Renaissance Workshop in Action
Guest Writing
HMS Implacable at Gallipoli – The Fusilier Museum London
Dürer or not? – Royal Museums Greenwich Blog
Art Bloggers: A Blessing or a Curse? – Interscript Online Magazine
Pre-Raphaelites on Paper review – The Courtauldian
The Shires at The Water Rats review – ukCOUNTRYmusic.NET
Two-Faced Fame review – InQuire Live
UNDEREXPOSED review – Studio 3 Gallery
It’s time to embrace art on our streets – Subversive Press
Misc
Travel
2 Weeks in Paris
2 Weeks in Paris – Day 1: Reunion
2 Weeks in Paris – Day 2: Architecture
2 Weeks in Paris – Day 3: Nobility
2 Weeks in Paris – Day 4: Crea-tea-vity
2 Weeks in Paris – Day 5: Versailles
2 Weeks in Paris – Day 6: Animals
2 Weeks in Paris – Day 7: Mona Lisa
2 Weeks in Paris – Day 8: Strolling
Art Fairs
Theatre
Music
TV/Films
Selfies and Self-Portraiture – BA dissertation, 2015
Masterful Recycling: Re-use and Reversal in Raphael – MA dissertation, 2016
#WhyArtHistoryMatters
The Queen’s House and the $400 million Leonardo da Vinci
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