In recent years, it seems as though there is a new set of art fairs popping up spontaneously on the calendar without a moment’s notice. Many of these tend to be derivative of others, exhibiting the same kinds of work and targeting the same minority of wealthy collectors. Yet dealers continue to exhibit in as…
Top 5 London Art Exhibitions 2018: A Personal Selection
Another year has passed and sadly I’ve been too occupied to write properly this year! However, my Instagram has been very active indeed with short reviews and nuggets of art-historical information. I also published a number of book reviews on the Museum Bookstore website, writing about Michelangelo and Andrea del Sarto. 2018 has been a…
Top 5 London Art Exhibitions 2017: A Personal Selection
Merry Christmas and Happy Holidays everyone! As festive cheer spreads throughout the country, let’s look at some of the best exhibitions this year. Below are my top 5 exhibitions of 2017 in London, in addition to some special honourable mentions:
The Queen’s House and the $400 million Leonardo da Vinci
By now, everyone will have heard of the world record-breaking sale of Leonardo da Vinci’s Salvator Mundi (c.1500) at Christie’s New York on 15 November 2017. Christie’s ‘triumph of marketing’ praised it as ‘the last da Vinci’, referring to its status as the last painting by the artist in private hands; this is untrue as…
3-2-C: Victoria and Albert Museum, London
The V&A is known for many things: full-sized casts of Michelangelo’s David (1501-4) and Trajan’s Column, the Raphael’s tapestry cartoons, the ‘Green’ Dining Room designed by William Morris, the Indian barrel organ called Tippoo’s Tiger (1793), Matthew Cotes Wyatt’s sculpture of the dog Bashaw, the Faithful Friend of Man (1832-34), Dante Gabriel Rossetti’s The Day…
A case of ‘mirror mania’ – Van Eyck and the Pre-Raphaelites
When the National Gallery acquired Jan van Eyck’s Arnolfini Portrait (1434) in 1842, it was the only pristine example of early Netherlandish painting from this period in their collection. Van Eyck had also been erroneously credited as the inventor of oil painting, a sixteenth-century myth invented by Giorgio Vasari in Italy and perpetuated by Karel…
3-2-C: The Wallace Collection, London
Of all the museums and galleries in London, the Wallace Collection is my favourite. Displayed at Hertford House and only a short walk away from Oxford Street, the collection contains everything from leaves of illuminated manuscripts, Renaissance and Baroque paintings, to military arms and armoury, in addition to a very strong selection of French 18th-century…
In The Name Of Michelangelo
The Opera di Santa Croce, the non-profit body in charge of the church and monumental complex’s upkeep since 1371, is currently raising €100,000 ($119,000) to fund a hugely important project to clean and restore the tomb complex of Michelangelo and the Buonarroti family. It is urgently in need of restoration following damage caused by the…
3-2-C: Tate Modern, London
Tate Modern is London’s all-around stop for modern and contemporary art. There is everything from painting to performance art, sculpture to new media, and even a viewing platform from the new Blavatnik Building. Many visitors gawk at Pablo Picasso’s Weeping Woman (1937), marvel at Salvador Dalí’s Metamorphosis of Narcissus (1937), and fall silent in the…
3-2-C: The British Museum, London
According to the Association of Leading Visitor Attractions (ALVA), the British Museum continues to reign supreme for the 10th year running as the most popular UK attraction in 2016. Nearly 6.4 million people passed through its colonnade and classical façade to see the mummies, the Rosetta Stone (196 BC), the looted Parthenon statues, and on…
Encountering the Past
In a chapter of Cynthia Freedland’s book, Portraits & Persons, the philosopher proposes that portraits are images of persons that fulfil one or more of the following features: Likenesses Psychological characterisations Proofs of presence or ‘contact’ Manifestations of a person’s ‘essence’ or ‘air’ Such criteria may seem obvious but, in practice, they are particularly difficult…
‘My dearest compare’: Michelangelo & Sebastiano
‘All the discords that arose between Pope Julius and me were owing to the envy of Bramante and Raphael of Urbino […] And Raphael had good reason to be envious, since what he knew of art he learnt from me.’ (Michelangelo from Rome to an unknown addressee, October-November 1542) What do you get when you…
