3-2-C: Victoria and Albert Museum, London

The V&A is known for many things: full-sized casts of Michelangelo’s David (1501-4) and Trajan’s Column, the Raphael’s tapestry cartoons, the ‘Green’ Dining Room designed by William Morris, the Indian barrel organ called Tippoo’s Tiger (1793), Matthew Cotes Wyatt’s sculpture of the dog Bashaw, the Faithful Friend of Man (1832-34), Dante Gabriel Rossetti’s The DayContinue reading “3-2-C: Victoria and Albert Museum, London”

3-2-C: The Wallace Collection, London

Of all the museums and galleries in London, the Wallace Collection is my favourite. Displayed at Hertford House and only a short walk away from Oxford Street, the collection contains everything from leaves of illuminated manuscripts, Renaissance and Baroque paintings, to military arms and armoury, in addition to a very strong selection of French 18th-centuryContinue reading “3-2-C: The Wallace Collection, London”

3-2-C: Tate Modern, London

Tate Modern is London’s all-around stop for modern and contemporary art. There is everything from painting to performance art, sculpture to new media, and even a viewing platform from the new Blavatnik Building. Many visitors gawk at Pablo Picasso’s Weeping Woman (1937), marvel at Salvador Dalí’s Metamorphosis of Narcissus (1937), and fall silent in theContinue reading “3-2-C: Tate Modern, London”

3-2-C: The British Museum, London

According to the Association of Leading Visitor Attractions (ALVA), the British Museum continues to reign supreme for the 10th year running as the most popular UK attraction in 2016. Nearly 6.4 million people passed through its colonnade and classical façade to see the mummies, the Rosetta Stone (196 BC), the looted Parthenon statues, and onContinue reading “3-2-C: The British Museum, London”

3-2-C: The National Gallery, London

Everyone thinks they know the National Gallery, especially art historians and enthusiasts. They look at Hans Holbein the Younger’s The Ambassadors (1533), Jan van Eyck’s Arnolfini Portrait (1434), and Vincent van Gogh’s Sunflowers (1888), thinking they’ve seen it all. On the odd occasion, they might view Titian’s Bacchus and Ariadne (1520-23) or Caravaggio’s The SupperContinue reading “3-2-C: The National Gallery, London”