Out of the world’s collections of Leonardo da Vinci drawings, the Royal Collection’s holdings are the largest, totalling an impressive 550 sheets. For the 500th anniversary celebrations of the artist’s death, a third of these were exhibited at 12 simultaneous venues in the UK, before being reunited in a major exhibition at The Queen’s GalleryContinue reading “Leonardo da Vinci: A Life in Drawing – The Queen’s Gallery, Buckingham Palace”
‘All the discords that arose between Pope Julius and me were owing to the envy of Bramante and Raphael of Urbino […] And Raphael had good reason to be envious, since what he knew of art he learnt from me.’ (Michelangelo from Rome to an unknown addressee, October-November 1542) What do you get when youContinue reading “‘My dearest compare’: Michelangelo & Sebastiano”
The art world is about to get a little bit more exciting as the Louvre opens the doors to a new museum in Abu Dhabi in December 2015. The Louvre Abu Dhabi seeks to be a universal museum, embracing cross-cultural similarities instead of differences with its newly-bought collection. The Musée du Louvre’s Louvre Abu Dhabi:Continue reading “Louvre Abu Dhabi – a new collection awaits”
Dear readers. How often do you look carefully at the buildings portrayed in paintings? How many times have you focused on the painted surroundings more than the figures in the image? For the majority of you, “very little” is likely to be your response. Building the Picture attempts to reverse this, forcing us to lookContinue reading “Looking at architecture in a new light – Building the Picture at the National Gallery”
If there was only one word to describe the works in this exhibition, it would be this: big. The National Gallery’s Veronese: Magnificence in Renaissance Venice brings together 50 paintings by the wonderful Paolo Veronese in the UK’s first ever monographic exhibition of the artist. And boy, did they do an impressive job! Unfaithfulness andContinue reading ““This is not painting, it is magic that casts a spell on people who see it” – Veronese at the National Gallery”
Recently, the National Gallery has become a little bit more…noisy. Queues of people are lining up in the Central Hall surrounded by 16th century Northern Italian paintings, while others exit into the Spanish room where Velázquez’s ‘Rokeby Venus’ (1646-51) resides. Something’s happening in the Sunley Room, and this time, Michael Landy takes centre stage.
This Wednesday just happened to be the day of Baroness Margaret Thatcher’s funeral service, of which I took the opportunity to witness first-hand. I arrived at St Paul’s Cathedral shortly after 10am and struggled to find a nice spot that didn’t have at least 10-12 people in front of it already. Also I was ratherContinue reading “Federico Barocci – where Renaissance meets Baroque”