The Credit Suisse Exhibition: RAPHAEL at the National Gallery, London, is not your typical survey of the artist’s works. Instead, it is a silver sampling dish featuring every aspect of Raphael’s artistic personality. Consisting of a rigorously selected portion of autograph works, the exhibition succeeds in balancing some of the highlights of his career withContinue reading “REVIEW | Raphael – National Gallery, London”
In a chapter of Cynthia Freedland’s book, Portraits & Persons, the philosopher proposes that portraits are images of persons that fulfil one or more of the following features: Likenesses Psychological characterisations Proofs of presence or ‘contact’ Manifestations of a person’s ‘essence’ or ‘air’ Such criteria may seem obvious but, in practice, they are particularly difficultContinue reading “Encountering the Past”
The recent news concerning the axing of Art History at A-Level has received widespread criticism from teachers, students, and members of the general public alike. Each has made an attempt to defend the status of art history in education and its prosperous capability to help us understand society today. Here is my attempt.
The art world is about to get a little bit more exciting as the Louvre opens the doors to a new museum in Abu Dhabi in December 2015. The Louvre Abu Dhabi seeks to be a universal museum, embracing cross-cultural similarities instead of differences with its newly-bought collection. The Musée du Louvre’s Louvre Abu Dhabi:Continue reading “Louvre Abu Dhabi – a new collection awaits”
Being inherently of Chinese origin, one might assume that I would have a certain attraction to the paintings of the East. In fact, my upbringing in Western society has actually steered me towards Western European art, leaving me almost ignorant to the understanding of a tradition of art that has become part of my heritageContinue reading “East meets West – Chinese Painting at the V&A”