Tracey Emin / Edvard Munch: The Loneliness of the Soul – Royal Academy of Arts, London

I’ve been struggling for days to write this review and I don’t know why. The short answer is that it’s an impressive exhibition. But it’s also more than that. It leaves an indelible impression on you. Consisting of works created almost exactly 100 years apart, I like to think Tracey Emin / Edvard Munch: TheContinue reading “Tracey Emin / Edvard Munch: The Loneliness of the Soul – Royal Academy of Arts, London”

Review: Among the Trees – Hayward Gallery

With climate change looming above our heads every minute of everyday, sometimes it’s important to take a step back and remind ourselves of the organisms which give us the ‘breath of life’. Among the Trees at the Hayward Gallery blew me away with how immersive and engaging it could be without feeling overwhelmingly repetitive. AlthoughContinue reading “Review: Among the Trees – Hayward Gallery”

Top 5 London Art Exhibitions 2019: A Personal Selection

But Nigel, it’s already 2020! And it’s February! Indeed, it is, and I hope you’ve all had a wonderful start to the new year. If you haven’t followed me on Instagram yet, I highly encourage you to do so! I’m a lot more active there with a fabulously wonderful community of like-minded followers. On toContinue reading “Top 5 London Art Exhibitions 2019: A Personal Selection”

Leonardo da Vinci: A Life in Drawing – The Queen’s Gallery, Buckingham Palace

Out of the world’s collections of Leonardo da Vinci drawings, the Royal Collection’s holdings are the largest, totalling an impressive 550 sheets. For the 500th anniversary celebrations of the artist’s death, a third of these were exhibited at 12 simultaneous venues in the UK, before being reunited in a major exhibition at The Queen’s GalleryContinue reading “Leonardo da Vinci: A Life in Drawing – The Queen’s Gallery, Buckingham Palace”

Top 5 London Art Exhibitions 2018: A Personal Selection

Another year has passed and sadly I’ve been too occupied to write properly this year! However, my Instagram has been very active indeed with short reviews and nuggets of art-historical information. I also published a number of book reviews on the Museum Bookstore website, writing about Michelangelo and Andrea del Sarto. 2018 has been aContinue reading “Top 5 London Art Exhibitions 2018: A Personal Selection”

Top 5 London Art Exhibitions 2017: A Personal Selection

Merry Christmas and Happy Holidays everyone! As festive cheer spreads throughout the country, let’s look at some of the best exhibitions this year. Below are my top 5 exhibitions of 2017 in London, in addition to some special honourable mentions:

A case of ‘mirror mania’ – Van Eyck and the Pre-Raphaelites

When the National Gallery acquired Jan van Eyck’s Arnolfini Portrait (1434) in 1842, it was the only pristine example of early Netherlandish painting from this period in their collection. Van Eyck had also been erroneously credited as the inventor of oil painting, a sixteenth-century myth invented by Giorgio Vasari in Italy and perpetuated by KarelContinue reading “A case of ‘mirror mania’ – Van Eyck and the Pre-Raphaelites”

Encountering the Past

In a chapter of Cynthia Freedland’s book, Portraits & Persons, the philosopher proposes that portraits are images of persons that fulfil one or more of the following features: Likenesses Psychological characterisations Proofs of presence or ‘contact’ Manifestations of a person’s ‘essence’ or ‘air’ Such criteria may seem obvious but, in practice, they are particularly difficultContinue reading “Encountering the Past”

‘My dearest compare’: Michelangelo & Sebastiano

‘All the discords that arose between Pope Julius and me were owing to the envy of Bramante and Raphael of Urbino […] And Raphael had good reason to be envious, since what he knew of art he learnt from me.’ (Michelangelo from Rome to an unknown addressee, October-November 1542) What do you get when youContinue reading “‘My dearest compare’: Michelangelo & Sebastiano”

There’s more to Marcantonio Raimondi than just porn!

‘[…] Giulio Romano caused Marc’ Antonio to engrave twenty plates showing all the various ways, attitudes, and positions in which licentious men have intercourse with women; and, what was worse, for each plate Messer Pietro Aretino wrote a most indecent sonnet, insomuch that I know not which was the greater, the offence to the eyeContinue reading “There’s more to Marcantonio Raimondi than just porn!”