Top 5 London Art Exhibitions 2018: A Personal Selection

Another year has passed and sadly I’ve been too occupied to write properly this year! However, my Instagram has been very active indeed with short reviews and nuggets of art-historical information. I also published a number of book reviews on the Museum Bookstore website, writing about Michelangelo and Andrea del Sarto. 2018 has been a…

Top 5 London Art Exhibitions 2017: A Personal Selection

Merry Christmas and Happy Holidays everyone! As festive cheer spreads throughout the country, let’s look at some of the best exhibitions this year. Below are my top 5 exhibitions of 2017 in London, in addition to some special honourable mentions:

A case of ‘mirror mania’ – Van Eyck and the Pre-Raphaelites

When the National Gallery acquired Jan van Eyck’s Arnolfini Portrait (1434) in 1842, it was the only pristine example of early Netherlandish painting from this period in their collection. Van Eyck had also been erroneously credited as the inventor of oil painting, a sixteenth-century myth invented by Giorgio Vasari in Italy and perpetuated by Karel…

3-2-C: The Wallace Collection, London

Of all the museums and galleries in London, the Wallace Collection is my favourite. Displayed at Hertford House and only a short walk away from Oxford Street, the collection contains everything from leaves of illuminated manuscripts, Renaissance and Baroque paintings, to military arms and armoury, in addition to a very strong selection of French 18th-century…

3-2-C: Tate Modern, London

Tate Modern is London’s all-around stop for modern and contemporary art. There is everything from painting to performance art, sculpture to new media, and even a viewing platform from the new Blavatnik Building. Many visitors gawk at Pablo Picasso’s Weeping Woman (1937), marvel at Salvador Dalí’s Metamorphosis of Narcissus (1937), and fall silent in the…

Encountering the Past

In a chapter of Cynthia Freedland’s book, Portraits & Persons, the philosopher proposes that portraits are images of persons that fulfil one or more of the following features: Likenesses Psychological characterisations Proofs of presence or ‘contact’ Manifestations of a person’s ‘essence’ or ‘air’ Such criteria may seem obvious but, in practice, they are particularly difficult…

‘My dearest compare’: Michelangelo & Sebastiano

‘All the discords that arose between Pope Julius and me were owing to the envy of Bramante and Raphael of Urbino […] And Raphael had good reason to be envious, since what he knew of art he learnt from me.’ (Michelangelo from Rome to an unknown addressee, October-November 1542) What do you get when you…

3-2-C: The National Gallery, London

Everyone thinks they know the National Gallery, especially art historians and enthusiasts. They look at Hans Holbein the Younger’s The Ambassadors (1533), Jan van Eyck’s Arnolfini Portrait (1434), and Vincent van Gogh’s Sunflowers (1888), thinking they’ve seen it all. On the odd occasion, they might view Titian’s Bacchus and Ariadne (1520-23) or Caravaggio’s The Supper…

There’s more to Marcantonio Raimondi than just porn!

‘[…] Giulio Romano caused Marc’ Antonio to engrave twenty plates showing all the various ways, attitudes, and positions in which licentious men have intercourse with women; and, what was worse, for each plate Messer Pietro Aretino wrote a most indecent sonnet, insomuch that I know not which was the greater, the offence to the eye…

The Return of Flaming June

Among an unfettered mass of dark crimson and pale olive draperies a young woman dressed in radiant orange sleeps peacefully. In the distance lies endless Mediterranean waters, shimmering in the gleaming sun; a mountainous island appears beyond the afternoon haze. She sleeps against a marble bench and parapet, her head leaning into her bent arm…

A Sense of Rembrandt

Leiden, 1624. After a six-month apprenticeship with the painter Pieter Lastman in Amsterdam, a young, 18-year-old Rembrandt Harmenszoon van Rijn moved back to his native city of Leiden and opened his own studio in 1624 or 1625. Sometime within this period of artistic development, Rembrandt painted an elusive set of five paintings, The Five Senses…