REVIEW | Picasso Ingres: Face to Face – National Gallery, London

The National Gallery in London is currently holding a little reunion between Pablo Picasso’s Woman With a Book (Norton Simon Museum, Pasadena) and its original inspiration, Jean-Auguste-Dominique Ingres’ beloved portrait of Madame Moitessier (National Gallery).⁠ Ingres’ portrait was commissioned in 1844 to celebrate the marriage two years earlier of Marie Clotilde-Inès de Foucauld to theContinue reading “REVIEW | Picasso Ingres: Face to Face – National Gallery, London”

REVIEW | Raphael – National Gallery, London

The Credit Suisse Exhibition: RAPHAEL at the National Gallery, London, is not your typical survey of the artist’s works. Instead, it is a silver sampling dish featuring every aspect of Raphael’s artistic personality.⁠ Consisting of a rigorously selected portion of autograph works, the exhibition succeeds in balancing some of the highlights of his career withContinue reading “REVIEW | Raphael – National Gallery, London”

A case of ‘mirror mania’ – Van Eyck and the Pre-Raphaelites

When the National Gallery acquired Jan van Eyck’s Arnolfini Portrait (1434) in 1842, it was the only pristine example of early Netherlandish painting from this period in their collection. Van Eyck had also been erroneously credited as the inventor of oil painting, a sixteenth-century myth invented by Giorgio Vasari in Italy and perpetuated by KarelContinue reading “A case of ‘mirror mania’ – Van Eyck and the Pre-Raphaelites”

‘My dearest compare’: Michelangelo & Sebastiano

‘All the discords that arose between Pope Julius and me were owing to the envy of Bramante and Raphael of Urbino […] And Raphael had good reason to be envious, since what he knew of art he learnt from me.’ (Michelangelo from Rome to an unknown addressee, October-November 1542) What do you get when youContinue reading “‘My dearest compare’: Michelangelo & Sebastiano”

3-2-C: The National Gallery, London

Everyone thinks they know the National Gallery, especially art historians and enthusiasts. They look at Hans Holbein the Younger’s The Ambassadors (1533), Jan van Eyck’s Arnolfini Portrait (1434), and Vincent van Gogh’s Sunflowers (1888), thinking they’ve seen it all. On the odd occasion, they might view Titian’s Bacchus and Ariadne (1520-23) or Caravaggio’s The SupperContinue reading “3-2-C: The National Gallery, London”

Looking at architecture in a new light – Building the Picture at the National Gallery

Dear readers. How often do you look carefully at the buildings portrayed in paintings? How many times have you focused on the painted surroundings more than the figures in the image? For the majority of you, “very little” is likely to be your response. Building the Picture attempts to reverse this, forcing us to lookContinue reading “Looking at architecture in a new light – Building the Picture at the National Gallery”

A Sunflower reunion

Drawing many a crowd to one of London’s busiest squares, two world-famous paintings by none other than the Dutch Impressionist Vincent van Gogh have been reunited in Room 46 of the National Gallery for the first time in 65 years. The reunion was made possible by the friendship between the National Gallery and the VanContinue reading “A Sunflower reunion”

“This is not painting, it is magic that casts a spell on people who see it” – Veronese at the National Gallery

If there was only one word to describe the works in this exhibition, it would be this: big. The National Gallery’s Veronese: Magnificence in Renaissance Venice brings together 50 paintings by the wonderful Paolo Veronese in the UK’s first ever monographic exhibition of the artist. And boy, did they do an impressive job! Unfaithfulness andContinue reading ““This is not painting, it is magic that casts a spell on people who see it” – Veronese at the National Gallery”

Modern portraiture – the Old and the New Viennese

Vienna, also known as the City of Music, was an area where many great composers found their place in musical history, icons such as Mozart, Brahms and Mahler. Theatres and opera houses filled the city with world-class music, attracting tourists and immigrants from across the Empire. During the years of the Austro-Hungarian Empire (1867-1918), ViennaContinue reading “Modern portraiture – the Old and the New Viennese”

Vermeer and the role of music

I assume many of us are familiar with Johannes Vermeer’s painterly masterpiece entitled Girl with a Pearl Earring (c. 1665), on display at the Royal Picture Gallery Mauritshius in The Hague, the Netherlands. Well, unfortunately, the National Gallery’s latest exhibition doesn’t have anything to do with this painting, but it draws on a theme thatContinue reading “Vermeer and the role of music”